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    The Picture of Dorian Gray

    Regular price
    Rs. 169.00
    Regular price
    Rs. 219.00
    Sale price
    Rs. 169.00
    Eligible for Free Shipping.
    Condition

    Condition Chart of Books

    New: These are new books which have been purchased from publishers and authors.

    Almost New: These are books which have been read previously or are excess stock from bookshops and publishers. These books will have:

    • Intact spine
    • No pen and pencil marks
    • No yellow or dirty pages
    • No physical damage
    • Intact front and back covers
    • Intact dust jacket and cover in case of Hardcovers
    • Accessories (if any) 

    Good: These are the books which have have been sourced from book lovers and are in very good condition. They may have signs of ageing but will be in pretty good condition. These books will have:

    • Visible wrinkles on covers
    • Name and other minor markings inside
    • Yellow pages and folded corners
    • A few wrinkled pages inside
    • Damaged or no dust jacket in case of hardcovers

    Readable: These are the warriors who have withered the storm. These books may be old and have visible wear and tear signs. These books will have:

    • Visible wrinkles on book and inside
    • Minor tear in a few pages but has all the pages
    • Name and other markings 
    • Dark and yellowish pages
    • Damages spine 
    • Damaged front and back cover

    Vintage: These are the books which are collector's delight. They will have the year of publication in their name and are usually in good condition except for the usual sign of wear and tear due to ageing.

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    Goodreads Rating: 4.07

    Publisher: Wordsworth Editions

    About: 

    Wilde’s only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life and consequence. From its provocative Preface, challenging the reader to belief in ‘art for art’s sake’, to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the ‘note of doom’ which runs like ‘a purple thread’ through its carefully crafted prose.

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